Monday, August 30, 2021
Random August going's-on
Tuesday, August 24, 2021
Dinosaur quilt finished!
Thursday, August 19, 2021
Be Thou My Vision
I readied a new journal for this class, bought myself some nice colored pencils and a few ink pens. I also splurged and asked Leiya to buy me the Celtic Lettering stencil that Valerie uses but that arrived halfway through the course so it wasn't completely necessary but it made lettering easier. I also thought I was going to learn how do lettering with a calligraphy pen but that proved to be too difficult to master before the lessons started. Also in this class were 5 zoom meeting where we could talk with Valerie and meet some of the other students. I was from the Far East, there was someone from Australia, someone from Scotland and quite a few people in different parts of the States. I think Valerie felt challenged to get us all at a meeting when someone wouldn't have to stay up late or join at 4:00 am. (Which I did!)
The course went through the middle of this month and every two weeks there was a page spread devoted to two lines of the hymn with art lessons and then two page spreads were left for thoughts or Bible verses suggested in the devotional part of the class. This means that at the end of 20 lessons I have 60 pages filled!
For posterity's sake, I am showing the colorful pages of the booklet here but there are so many more pages that I've drawn knots and borders etc. AND I went along and did each art page in my regular bullet journal intertwined with my regular messy pages, so you can see, the past 5 months I've immersed myself in Celtic knots, colored pencils and Bible verses.
It was a wonderful class and I'd recommend it to anyone interested in Christian journaling and color pencil art. The designs lend themselves to meditation (the repetitive method of making knots) and this was such a soothing exercise as Covid invaded other parts of my life.
My pages...
The page on the right-hand side was a challenge page that Valerie suggested. Using any of the techniques we had learned in the class, make a knot of our own and color as we liked. Well, at a loss for originality as usual, I remembered a Celtic Stencil I had in my closet for quilting!!! Of course the size was completely off, but because we'd learned how to use a compass to make knots, I was able to recreate the stencil on paper. So proud of myself! And though the colors were all so thrilling to do, I liked the elegance of mainly black and white with a touch of gold paint.
My battered stencil.
The last page of my wonderful 5 month's journey with Valerie and Celtic Knots!
Tuesday, August 17, 2021
Remembering
Obon is the season when the spirits return to their homes for three days and there is a lot of activity such as the cleaning and decorating of the graves and special foods prepared for the feasts at home. It is also a time for family to gather, much as Thanksgiving in the States. Unfortunately, again this year, as last year, the Corona virus is gaining strength and so the citizens have been warned to do as little travel between prefectures as possible. Our prefecture went back to a state of emergency as of yesterday and we are back to being very careful about meeting with friends or going out...
Anyway, Tetsu and I took a quick walk (between rainstorms this week) to the cemetery across the street during Obon and it was a lovely place with the stones shining and more than half the graves decorated with flowers.
I thought this a very pretty gravesite because there were lantern flowers amidst the other pretty colors.
Actually, lantern flowers grow even along our road in front of our house, but they are very pretty. As they dry out, one can see a little ball-like "fruit" inside and Tetsu said as I child it was great fun to play with the ball and see if one could get the seeds and pulp out without breaking the ball.
Back at home, Tetsu set up a table with his mother's photo in our living room. At times like this I see him as such a traditional Japanese man. Obaachan passed away four years ago right in the middle of Obon, so this is not so much an Obon altar, as just an acknowledgement of the day that she passed. I don't know why, but he put an apple and plum there and a tomato of all things because we remember when she grew tomatoes in front of her old apartment building. Tetsu hadn't been out on this day and he regretted not buying flowers for her picture, but I suggested he just go out and pick some from his garden which he thought was a great idea... Offering up his own flowers is a much better way to remember Obaachan!
Speaking of remembering, Leiya was on the Indiana news this past week, talking about my grandfather again. It is amazing to all of us that for 60 years no one but our family really had many memories about him and suddenly he is being honored by his old town and his great-granddaughter (Leiya) is being interviewed. Fort Wayne news. (the wedding quilt I made Leiya and Tony in the background... yeah!)
https://fortwaynesnbc.com/2021/08/12/japanese-businessman-shinzo-ohki-gone-decades-forever-remembered-by-columbia-city/
I think you can follow the link to the Fort Wayne news and hear the story again of what he meant to the small town.
Friday, August 13, 2021
Guest Blogger
My house is almost 200 years old. It is very old and it has a traditional atmosphere everywhere. For example, the pillars, the sliding doors etc. The whole structure is old but there are interesting places to look at.
In the olden days there was no separation between the rooms. There used to be a sunken hearth in the middle of the main room where firewood was burned. A traditional Japanese wooden house can adjust the interior's humidity and temperature. In winter, because of the lack of walls and doors, the whole wide area was kept warm thanks to the hearth.
Our family has lived in this wooden house for many generations because we are a totally agricultural family with rice fields and vegetable fields surrounding us. In this background, I am now learning to quilt, to do patchwork and even other kinds of handwork (tatting) from my teacher, Tanya-san, whom I respect.
Surrounded by nature all around me, I am relaxed amidst the quiet scenery of tall trees, my grandmother's flowers and the huge sky overhead.
And these are some of the pictures that M-san took for me. I asked her a bit about each place and so I will try to explain as best I can.
Japanese farmhouses are actually very large compared to other homes where the rest of us reside. I think they are always one-storied though there is sometimes a ladder that gives entrance to storage space in an attic. In front of M-san's house is a main gate which also isn't often seen these days... and in front of the gate is the beginning of the many rice fields that M-san's family keeps. This is actually the gate to their house though it isn't used much and instead visitors go around it to a large round-about driveway.Here we are coming around the gate (which actually houses farm equipment), and heading towards M-san's house. Don't you love the way those trees are pruned on the right!Directly behind the gate is the large farmhouse. In generations past, this house might have had a thatched roof (I didn't ask about that) but preserving a thatched roof (even a tiled roof these days) is almost impossible now and I rarely ever see a thatched roof in my prefecture unless it is under protection of the government. All the glass doors facing the main yard slide open so you can image how the house might stay cool in the winter with breezes blowing through. There to the left is the sliding front door to the house. M-san thought that maybe generations ago part of the house on the far left might have even stabled horses though it is now used as a regular room.
To me, some of the most amazing parts of the house are the intricate slatted wooden doors and windows and lintels between the rooms. This is another type of handcraft that is no longer much seen and the pieces of thin wood are fitted together into patterns without using any nails.Here is another example on the sliding paper doors between rooms.
And this must be a lintel over a door.Actually, stepping back to the gate in front of the house, here is a beautiful example of how the eaves under even a gate roof have been fitted like a puzzle to provide strength and beauty. No nails!!! This type of carpentry can also be seen in the shrines and temples around Japan but especially at the beautiful Nikko 5 tiered pagoda and Tosho Shrine.
Instead of having a hallway through the middle of a house, traditional homes in Japan have the hallway directly behind the front windows and the rooms can be entered off the hallway. Again, this lends itself to coolness in the summer because front sliding doors can be opened, and the room doors can also be pushed aside or even removed completely. Of course in the old days the now glassed in sliding windows (doors) were heavy wooden shutters but most farmhouses now have glass so that light can come in but the elements can be kept out.
M-san couldn't understand why I wanted to include this picture... It is of their living room and it no longer has tatami mats and has more furniture. Even so, the "wall" behind the TV is another sliding door that could be removed, as is the sliver of an open doorway on the right of the picture which actually is directly next to the entrance. M-san said that the door can be replaced in winter to keep the heat in the room and making it very cozy. From where the picture was taken M-san was probably sitting at their "hori-kotatsu" which is a low table with a hole under it for legs (so that everyone doesn't always have to sit on their knees). This is the modern replacement for the "hearth" that M-san wrote about. The hearth used to be an open fire pit but the "hori-kotatsu" will have a heating element under the table, usually electric nowadays but even a generation ago it was a brazier of sorts. Blankets and quilts will cover the table to keep the heat in...toasty warm legs and freezing shoulders! I can remember sitting in a "kotatsu" when I first came to Japan and though I felt warm because my legs were warm, I could see my breath puffing from my mouth as I talked... I questioned M-san as to why all the calendars on the wall and she said that since every commercial business hands out calendars at the beginning of the new year, her family's custom is to put them all up instead of letting them go to waste.This is the Buddhist altar in the family home...
...and this is the Shinto altar probably in the same room. Japan has an interesting mixing of different religions that Westerners find difficult to understand, but families will be devout about praying to their ancestors at the Buddhist altar as well as keeping the Shinto gods satisfied at the Shinto altar. I am very grateful to M-san's family for letting her photograph her family's altars.
Near M-san's house is also a "torii" which I think is associated with Shintoism... But somewhere nearby is also the family cemetery with generations of ancestors' ashes interred, in a Buddhist grave.
There is a Oya stone storage building near the main house......and a stone seating area in a shaded part of the farm, to relax and listen to birds sing or to get some relief after working outside...
And THIS is M-san's latest quilt! She named it Psychedelic Flowers! I'm not sure how it is going to match her family's traditional home but it is a lovely splash of color to the beautiful natural surroundings she lives in!Thank you M-san for all your pictures and for your explanation about your family's lovely home.