I had an absolutely fantastic day yesterday, thanks to Yuma-kun again!!! We spent the day at his great-aunt's... weaving!
Two years ago I went with Yuma-kun to his great-aunt's house and discovered that she is a well known weaving teacher and artist. Please visit
this post I wrote about her in 2015 which shows some of her artwork and the house that she lives in. Such an amazing woman! Her name is Emiko Watanabe.
Yesterday's visit was to play around on the great-aunt's looms again, this time doing Sakiori which is weaving with kimono fabric rather than with threads... Yesterday two other of Watanabe-san's students were at her workshop though all of us were doing different projects. One woman was making clothing out of the woven fabric, one woman was learning basic weaving without a loom and Yuma-kun and I were set up on two looms... Yuma-kun doing whatever he liked and me with balls and balls fabric.
The word "Sakiori" comes from the words "saki" meaning to rip, and "ori" meaning to weave. The warp threads in the loom are threads but the woof textile is continuously ripped strips of fabric, usually old Japanese kimonos made of silk or dyed cotton.
Probably just getting the Japanese kimonos into balls that are usable is a job in itself (though Watanabe-san said it was quite stress-relieving to just sit and rip things up all day!) and though I got a quick lesson on how to rip a piece of fabric in a continuous strand, I was given access to bags and bags and boxes and boxes of already ripped fabric. Go at it!
It takes some skill not to pull too tightly and coordinate hands and feet but I was lost in another world within minutes. I barely heard any of the other actions going around me though I did remember to bring out my camera and asked Yuma-kun to take a few photos.
I was on the larger loom and Watanabe-san had set it up with a wide warp for me.
Yuma-kun had a narrower warp set-up and though he was given instructions on weaving with threads, he soon was grabbing sparkly threads off the walls an mixing fabric and threads at the same time, going completely beyond whatever he was supposed to be learning... which was quite alright with his great-aunt who firmly believes in individuality and originality. None of this making something just like someone else has made.
Yuma-kun's sparkly blue threads mixed with his read and white fabric.
I barely moved from my perch on the loom seat all day, just enough to pick up another ball of fabric and use as much as I wished before changing to another fabric. On one of my ventures off the seat to paw through the boxes, Watanabe-san showed me one of her latest pieces of clothing made from Sakiori to give me an idea of what can be made.
Wouldn't that be fun to wear? But how could you bear to cut into the fabric that you'd spent hours making...
We went out to eat lunch at a Thai restaurant within walking distance of Watanabe-san's house. A restaurant I know well. Lunch is always so elaborate with these hand carved fruit and vegetable decorations.
Yuma-kun wasn't much impressed by the decorations. He was more interested in playing his smart phone games... That is his great-aunt beside him. Such a small, unimposing woman whom Yuma-kun bugs and bothers, and which she accepts with such love and smiles.
On our way home we got involved with looking for four-leaf clovers...
Watanabe-san's house. An authentic thatched roof house. There are not many left in Tochigi and certainly not many that are lived in full time.
I stayed mostly on the loom from 9:30am until 5:00pm.
And this is what I got made!
Watanabe-san and her students suggested I make a couple of bags from this piece. That means cutting it up...
It looks very nice right now on my dining room table so until I work up my courage to do something with this piece it will live in the dining room for awhile...
I am again in danger of giving up patchwork and quilting, and starting weaving as a new hobby...